Monday, January 28, 2013

Hum: Uncrowned Kings Of Grunge


Hum: Uncrowned Kings of Grunge


           There is absolutely no reason Hum should not be ranked among bands like The Smashing Pumpkins, Nirvana, or Alice in Chains. Hum had two major releases on RCA, videos on MTV, and radio play but for some reason never caught on. It wasn’t lack of talent or vision. Many artists are not recognized in their time. Hum’s fan base is still large today. An album of covers in tribute to HUM was released in 2011 and is now a collector's item in high demand. Earlier this month presales of a vinyl re-release of their first major album went on sale. Limited edition pre-orders are already sold out (good thing I started writing this blog or I would have missed it!).

               You’d Prefer an Astronaut, Hum’s first major release, show cased a style that is a distinct vision. Hum's sound is exemplified by the first track, "Little Dipper": a gradual building to a crash of reverberating guitar feedback held together by the calm and reflective lyrics of Matt Talbott. The attention to detail in editing makes what, if hurried, would be train wreck into a lush experience. The detail to editing allows for sonic translation of moods that are refined by lyrics; a whole array of emotion from introspective sorrow to outward aggression pour out. Hum is not light listening. Often abstract, all lyrics are open to interpretation. Talbott encourages interpretation never publishing lyrics. Talbott once said, "If you have a different interpretation that's near and dear to your heart, for god sakes keep it."
               After achieving a footing with their first major release, Hum spent three years perfecting a master piece that would be their final album and a commercial failure. Downward is Heavenward received critical praise: #81 of the top 100 albums of the 90s pitchfork magazine , “a lost classic of '90s rock, period”, “Downward Is Heavenward actually scrubs off a layer of skin, yet Hum still manage to infuse grace and control into their skyward swirl”. What really sank Downward is Heavanward was what makes it; the attention to detail in editing and recording. The band spent three years perfecting their work but after three years any momentum was lost. Then,while touring to promote Downward is Heavenward the band and several members of the crew were in a motor vehicle accident cutting their tour in half. The cancelled tour dates was the final nail in Hum’s coffin. They broke in 2000. 

            Hum left an obscure legacy of heavy introspective vibrations behind. Many fans are still die hard and wait for news of a return. Hopefully one day they will.

Thursday, January 24, 2013

Sextant: A Major Influences on Electronic Music



Sextant: A Major Influences on Electronic Music

 *as a bonus to this blog reading you get a new snobby argument to where hip-hop started!!!

 
Roland TB-303
Sextant is the misunderstood pentacle of Herbie Hancock’s genius; a raw Avant-gurde Free Jazz Funk classic! Using state of the art electronic instruments including the Mellotron and ARP2600 Modular Synthesizer, Hancock created a work far ahead of its time. I am going to proceed to get obscenely dorky and hopefully convince you to check it out.

               “This sounds like Acid Techno”, my wife yelled from the kitchen. “Acid Techno?” I thought. I didn’t really know what that was. I knew what I was listening to: “Rain Dance” -Track 1-Sextant- Herbie Hancock-Recorded 1972-Released 1973. What is Acid Techno? Acid techno is a genre of electronic music that hallmarked by distinct hollow bass tones produced by the Roland TB-303. The characteristic sound was never intended to be used for electronic music. Instead the TB-303 was designed to provide an inexpensive substitute for a live bass player. The Roland TB-303’s characteristic bass came from what Roland called a “’gimmick’… to compensate for limitations”.  There is mysticism around the TB-303. No one can agree on why exactly it sounds the way it does. A random anomaly perhaps, but the TB-303 is an eerie match to the deep tones of “Rain Dance”.
How could sounds produced in 1972 have such an uncanny likeness to the sound of the Roland TB-303? What was used on Sextant? Herbie Hancock used a legendary analog delight when crafting Sextant: The ARP2600.
ARP2600
The ARP2600 was the first mass produced modular synthesizer and still considered one of the  finest synthesizers ever made. One is currently listed on ebay  for $10,000. The ARP2600 is analog old school mad scientist inspiring goodness! What is an analog synthesizer? An analog synthesizer does everything a digital synthesizer would, but instead of a microchip the size of a nickel controlling the sound, a complex system of plugs, dials, and leavers must be manually adjusted on a vast array to achieve desired effects. The varieties of sounds that can be achieved are staggering. Out of the near infinite possibilities, Herbie Hancock forms a psychic prediction of music to come: Or, Sextant was a large influence on electronic musicians causing their attraction to the Roland TB-303.
 
Next comes the Mellotron! Ground breaking British technology for those who wanted to make bad music for shitty movies.
Mellotron
A Mellotron is a key board that plays sounds recorded on to small lengths of audio tape; an analog sampler, the the first sampler. It really must be seen. Sextant wasn't the first albums to use samples but he defiantly pioneered sampling bass. The Mellotron was made for your grandma, but Herbie had far different ideas…Herbie was soul brother #1! Peep the Fro! NICE! There was real substance behind the style. Three years earlier Hancock released Prisoner; a concept album based on social inequality. When it all comes together in my mind; I picture infant Chuck D looking up and seeing Herbie Hancock walking down the street in a black leather overcoat. Young Chuck D looks up at Herbie with heart felt admiration. I have not been able to find Chuck D speaking of Herbie, but they are currently nominated for an NAACP Image Award for the work they did together on the Standing on the Shoulders of Giants soundtrack.

What else? Some of the funkiest bass you’ll ever hear courtesy of Buster Williams on "Hornets". Sextant is mesmerizing; it really can hold you in a trance. The album was mostly improvised but is surprising well formed as a concept (feels like a well thought out work). Herbie’s use of an electric clavinet… I could go on and on. Sextant something for the ears; it’s worth a try.

Extras:
Free ARP2600 Simulator
Roland TB-303 Simulator
allmsuic.com guide to Acid Techno
A short but informative/entertaining documentary on Analog Synthesizers.

Wednesday, January 23, 2013

This is my first blog and it is mainly for my own amusement. If you like reading it let me know. Peace.